﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<artist>
  <biography>Philadelphia quartet Rosetta push the boundaries between metal, progressive rock, post-rock, space rock, and hardcore punk, employing an experimental songwriting technique filled with chaos and atmospherics. Their sounds range from Pink Floydian / progressive rock sonic layering to walls of pure static ambience to crushing, sweeping sludgey riffage. Their first album (The Galilean Satellites, 2005) was an especially ambitious project: the goal was to record two discs of equal length (one a metal album, the other a noise/ambient/drone album), each of which could stand on its own, but played together would create a third, more intense experience. The technique fits well with the band’s unique experiments in noise, sampling, feedback and power. The sheer amount of aural input means every listen becomes a new experience, allowing the listener to pick up on more and more layers within the sounds.

 Their next album (Wake/Lift, 2007) was a bit more restrained, but for this reason, really allows the band’s songwriting to solidify and proves them worthy of the “mainstream” of the avant-metal world.

 The third full-length album, A Determinism of Morality, was released in May of 2010, and featured shorter, faster songs, with a bit more attention to technical playing and compositional structure.</biography>
  <outline>Philadelphia quartet Rosetta push the boundaries between metal, progressive rock, post-rock, space rock, and hardcore punk, employing an experimental songwriting technique filled with chaos and atmospherics. Their sounds range from Pink Floydian / progressive rock sonic layering to walls of pure static ambience to crushing, sweeping sludgey riffage. Their first album (The Galilean Satellites, 2005) was an especially ambitious project: the goal was to record two discs of equal length (one a metal album, the other a noise/ambient/drone album), each of which could stand on its own, but played together would create a third, more intense experience. The technique fits well with the band’s unique experiments in noise, sampling, feedback and power. The sheer amount of aural input means every listen becomes a new experience, allowing the listener to pick up on more and more layers within the sounds.

 Their next album (Wake/Lift, 2007) was a bit more restrained, but for this reason, really allows the band’s songwriting to solidify and proves them worthy of the “mainstream” of the avant-metal world.

 The third full-length album, A Determinism of Morality, was released in May of 2010, and featured shorter, faster songs, with a bit more attention to technical playing and compositional structure.</outline>
  <lockdata>false</lockdata>
  <dateadded>2020-01-17 00:33:09</dateadded>
  <title>Rosetta</title>
  <runtime>116</runtime>
  <audiodbartistid>121106</audiodbartistid>
  <musicbrainzartistid>79489e1b-5658-4e5f-8841-3e313946dc4d</musicbrainzartistid>
  <art>
    <poster>I:\music\Rosetta\folder.jpg</poster>
    <fanart>I:\music\Rosetta\backdrop.jpg</fanart>
  </art>
  <album>
    <title>Quintessential Ephemera</title>
    <year>2015</year>
  </album>
  <album>
    <title>Wake/Lift</title>
    <year>2007</year>
  </album>
</artist>